“Simultaneously unrelentingly simple and
ridiculously complex—exactly what you
want from minimal techno in 2009”
Resident Advisor
Over the course of 2009 a cluster of recordings for some of the most influential labels in the world (Cocoon, Rekids, Klang, Harthouse) has seen Deepgroove establish themselves as a force to be reckoned with amongst the legion hordes of globes techno devotees. Their partnership with legendary techno producer Jamie Anderson has led to a steady stream of innovative club destroying moments whilst they have continued to plough their own path through solo remixes and releases.
“With a 100% party attitude and a
keen ear for exactly the right tune
to devastate the dancefloor,
Deepgroove consistently smash it.”
DJ Magazine
Unstoppable rolling techno such as ‘Turbo’ for Cocoon Recordings have supplied suitably heavy ammunition for DJ’s like Sven Vath, Richie Hawtin, Carl Cox, Laurent Garnier and Dubfire to tackle their largest festival sets, whilst deeper material like ‘The Clock’ (for Rekids; with it’s subterranean Ben Klock Remix) provide incendiary underground grooves to fire up sweatbox after hours and sleazy night spots the world over.
“Proving that it’s still possible for real
talent to break through, the Deepgroove
boys have made the noughties their own.”
iDJ
The patronage of some of the worlds most respected flag bearers has led to bookings and a rapidly growing live show which has recently showcased for amongst others Bugged Out and Fabric.
“Book these guys and the only
way you’ll get rid of them
is to find them another party”
DJ Magazine
Deepgroove and Jamie Anderson’s debut artist album “13MACHINES” was released on legendary German imprint Harthouse at the end of 2009, (preceded by another firing 12” EP) allowing this white hot production team to expand the range of their grooves to cover late night burners, peak time club destroying moments and all that lies between.
‘Overt Maximal Tension…4/5 Mixmag’ ‘Unstoppable, Computer Says ‘Yes!’…4/5 DJ Magazine’ ‘Machine Soul Par Excellence…9/10 iDJ’
2010 sees Deepgroove further destroy dancefloors with their heavy beats and red-hot remixes of Piemont on MBF Records, Sei A’s massive ‘Lazers’ on Tiga’s Turbo Recordings, Paul Woolford’s acid workout ‘Pandemonium’, Tomas Andersson’s ‘Little White Lies’, X-Press 2, Jamie Anderson featuring Dave Angel on Artform, Max Cooper on Trapez, Bastards of Funk on Electrik Soul and further singles for Harthouse, Tim Sheridan’s VeryVeryWrongIndeed, Underwater (with razor sharp rerubs from Joseph Capriati, Remute and Tomas Andersson), Fergie’s Rekluse and Hans Bouffmyhre’s Sleaze Records.
Also, coming soon, a compilation album on Harthouse and a remix album of their recent ‘13MACHINES LP’ with Jamie Anderson.
‘No messing, they do exactly
what it say’s on the tin…
they know how to drop it!’
Pete Tong (BBC Radio 1)
ridiculously complex—exactly what you
want from minimal techno in 2009”
Resident Advisor
Over the course of 2009 a cluster of recordings for some of the most influential labels in the world (Cocoon, Rekids, Klang, Harthouse) has seen Deepgroove establish themselves as a force to be reckoned with amongst the legion hordes of globes techno devotees. Their partnership with legendary techno producer Jamie Anderson has led to a steady stream of innovative club destroying moments whilst they have continued to plough their own path through solo remixes and releases.
“With a 100% party attitude and a
keen ear for exactly the right tune
to devastate the dancefloor,
Deepgroove consistently smash it.”
DJ Magazine
Unstoppable rolling techno such as ‘Turbo’ for Cocoon Recordings have supplied suitably heavy ammunition for DJ’s like Sven Vath, Richie Hawtin, Carl Cox, Laurent Garnier and Dubfire to tackle their largest festival sets, whilst deeper material like ‘The Clock’ (for Rekids; with it’s subterranean Ben Klock Remix) provide incendiary underground grooves to fire up sweatbox after hours and sleazy night spots the world over.
“Proving that it’s still possible for real
talent to break through, the Deepgroove
boys have made the noughties their own.”
iDJ
The patronage of some of the worlds most respected flag bearers has led to bookings and a rapidly growing live show which has recently showcased for amongst others Bugged Out and Fabric.
“Book these guys and the only
way you’ll get rid of them
is to find them another party”
DJ Magazine
Deepgroove and Jamie Anderson’s debut artist album “13MACHINES” was released on legendary German imprint Harthouse at the end of 2009, (preceded by another firing 12” EP) allowing this white hot production team to expand the range of their grooves to cover late night burners, peak time club destroying moments and all that lies between.
‘Overt Maximal Tension…4/5 Mixmag’ ‘Unstoppable, Computer Says ‘Yes!’…4/5 DJ Magazine’ ‘Machine Soul Par Excellence…9/10 iDJ’
2010 sees Deepgroove further destroy dancefloors with their heavy beats and red-hot remixes of Piemont on MBF Records, Sei A’s massive ‘Lazers’ on Tiga’s Turbo Recordings, Paul Woolford’s acid workout ‘Pandemonium’, Tomas Andersson’s ‘Little White Lies’, X-Press 2, Jamie Anderson featuring Dave Angel on Artform, Max Cooper on Trapez, Bastards of Funk on Electrik Soul and further singles for Harthouse, Tim Sheridan’s VeryVeryWrongIndeed, Underwater (with razor sharp rerubs from Joseph Capriati, Remute and Tomas Andersson), Fergie’s Rekluse and Hans Bouffmyhre’s Sleaze Records.
Also, coming soon, a compilation album on Harthouse and a remix album of their recent ‘13MACHINES LP’ with Jamie Anderson.
‘No messing, they do exactly
what it say’s on the tin…
they know how to drop it!’
Pete Tong (BBC Radio 1)